The world premiere of Anne Cassidy’s brilliant and award-winning novel, adapted by Marcus Romer. Pilot co-produced Looking For JJ in partnership with Unicorn Theatre, London and York Theatre Royal. We opened the national tour in York in autumn 2007 until March 2008. It included. four week run at The Unicorn Theatre in London
Looking for JJ won the TMA award for best show for children and young people at the awards ceremony at Hampstead Theatre.
Suzann McLean and Christina Baily
The cast was – Melanie Ash, Christina Baily as JJ, Rochelle Gadd, Davood Ghadami, Louise Kempton, Suzann McLean.
Lousie Kempton, Christina Baily and Rochelle Gadd
Christina Baily and Davood Ghadami
Christina Baily
Rochelle Gadd, Davood Ghadami, Christina Baily and Louise Kempton
Christina Baily and Suzann McLean
Melanie Ash and Christina Baily
Christina Baily
The Team
Writer Marcus Romer – Adapted from the novel by Anne Cassidy
Director Marcus Romer
Designer Laura McEwen
Lighting James Farncombe
AV design Arnim Friess
Sound Design Sandy Nuttgens
Photos Tristram Kenton and Karl Andre
Trailer
Quotes
The Guardian
the adaptation of Anne Cassidy’s excellent novel for teenagers is pacy and engaging. It seamlessly melds technology with live action, so it often feels as if you have fallen through a computer screen. But the great thing here is that video is not an add-on but is embedded in the heart of the production.
The BBC
The novel by Ann Cassidy is currently a cult hit with teenagers across the UK and, as always, Pilot have their finger on the pulse. Marcus Romer’s adaptation is superb. It is fragmented and spliced in such a way that the audience is never bored or patronised. Concentration is the only way to keep up with the pace and the broken nature of the piece ensures the tension never drops for a moment.
It is a performance that will make you feel elated and uncomfortable in equal measure, pushing relevant questions about redemption and forgiveness to the surface. Christina’s characterisation is so full of strength and warmth the audience uncomfortably writhe in their seats as they realise they are rooting for her to get away with it.
The supporting cast are equally superb, switching between numerous roles effortlessly and pulling off the difficult task of adults playing children with panache. The energy levels remain in top gear throughout and the original soundtrack is chillingly eerie, it gives even greater magnitude to the rising tension and is a credit to composer Sandy Nuttgens. As with ‘Sing Yer Heart Out For the Lads’ Pilot have confronted difficult issues in an innovative, fresh and accessible fashion which leaves your head buzzing with thoughts and discussions. A fantastic show.
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