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Provenance – the new film with integrated live theatre performance created by @mutinyprojects

29 Jun
Marva Alexander as Ms Kenny Jimoh – in front of the three screen installation – photo by Matthew Usher

As a co-founder and one of the directors of Mutiny Projects I was really delighted to be able to work across the three new writing and tech projects as part of the UEA’s Future and Form programme. All three of our works were presented as part of the programme for the Norfolk and Norwich Festival. One of these was Provenance, a new piece of work written for the project by Ayòbámi Adébáyò, which I was to direct for Mutiny.

This vivid and emotional multiscreen installation and live performance, tells the compelling story of twins separated by death. We follow the journey of the sacred ibeji artefact from its creation in Benin City, Nigeria, in 1895, to present-day Norwich in a story that spans continents, cultures and lifetimes.

Amongst the Yoruba of southwest Nigeria, twins are traditionally revered as gods. If a twin dies, the parents commission a sacred wooden sculpture of memorial— the ibeji. This figure is cared for as if it were a living twin.

With Marva Alexander, playing the role of museum curator Kenny Jimoh, the narrative unfolds over three simultaneous screens as we follow the 120-year journey of this sacred object from its creation in Benin City in 1895, its capture during the 1897 British invasion, Nigerian independence in 1960, to present-day Norwich, revealing how a seemingly anonymous museum artefact – the ibeji – can hold the hopes and emotions of a family and even of a nation.

We shot the film at Riverside Studios in March, with the Mutiny team of Simon Poulter as Art Director and Sophie Mellor as storyboard artist and editor of the film. The film was shot using two cameras as we built up the images and sequences to play out across the three screens. The actors and crew were all socially distanced and screens for the shoot.

The shoot at Riverside Studios with Jumoké Fashola and Suzann McLean – photo by Rich With

We also worked with a brilliant Nigerian Artist – Osaze Amadasun who created all the original drawings within the film. The full list of credits and cast can be seen below. For more info about the project check out the micro-site on our Mutiny Website

Please click to view in full screen for the video of Provenance below.

CAST

  • photo of Marva Alexander Kenny Jimoh – Marva Alexander Marva Alexander trained at Rose Bruford Drama College of Speech and Drama. Marva’s most recent role has been in the TV drama, It’s a Sin by Russell T Davies playing Mrs Ngomo. Her other TV credits include Doctors, BBC Walking with Caveman, Silent Witness and The Bill. For two years she trained with Black Mime theatre company performing in two of their productions Dirty Reality Two and Mourning Song. She has appeared in many Theatres productions including Salisbury Playhouse, Manchester Library Theatre, Young Vic, Birmingham repertory Theatre and Northampton Theatre Royal. 
  • photo of Jumoké Fashola Mrs Jimoh – Jumoké Fashola Jumoké Fashola is an award winning Radio & Television Broadcaster, Jazz Singer and Actress. She currently presents J to Z on BBC Radio 3 and Sunday Breakfast – Inspirit for BBC Radio London. Her theatre credits include Temi Wilkey’s The High Table (Bush Theatre/ Dir, Daniel Bailey) and Zawe Ashton’s For All The Women Who Thought They Were Mad (Hackney Showroom/ Dir, Jo McInnes). She is the creator and host of the Jazz Verse Jukebox which had a 7 year residency at Ronnie Scott’s Jazz Club, London.
  • photo of Golda John Iya Agba – Golda John Golda John, a Nigerian born veteran award-winning Television, Stage and Film Actress has appeared in numerous theatre productions in Britain and internationally. She played lead roles in Wale Ogunyemi’s The Divorce, Wole Soyinka’s Death and The Kings Horse Man, Opera Wonyosi, Bertolt Brecht’s Good Woman of Setzuan, directed by Dr. Bode Osanyin, to mention a few. Golda was a famous face on Nigeria’s Television Authority in the 90s with plays such as Mirror In The Sun, Checkmate, Village Headmaster and Family Ties. Golda is one of the pioneers of Nigeria’s fast growing film industry, Nollywood, with such films as Ti Oluwa Ni Ile, Suspicion and Ahon among others.
  • photo of Diana Yekinni Adesuwa – Diana Yekinni Diana Yekinni’s theatre credits include: Oyiri di ya in Three Sisters (National Theatre); Mum in I’ll Take You to Mrs Cole (Complicité); Nurse in The Secret lives of Baba Segi’s Wives (Arcola), Tituba in The Crucible (UK Tour); Molly in Drafts(Southwark Playhouse); Expensive Shit (Traverse Theatre / Royal Festival Hall); For Coloured Girls Who Have Considered Suicide (Lagos, Nigeria); London Life Lagos Living (Lagos, Nigeria) TV & Film credits include: Dolapo in For Love (BBC Films); Skin The Documentary (BeNaya/Netflix); Medium(CBS); and Wonu in The Mrs (Africa Magic) Lunch Time Heroes (Netflix).
  • photo of Oliver Alvin-Wilson Jide – Oliver Alvin-Wilson Oliver Alvin-Wilson’s credits include, for the National Theatre : All Of Us, Nine Night, The Red Barn, Emperor and Galilean and All’s Well That Ends Well. Other theatre includes: The Doctor at the Almeida; The Twilight Zone at the Ambassadors; Hamlet for Hamletscenen; A Midsummer Night’s Dream for the Young Vic; Othello at the Stafford Gatehouse; A Midsummer Night’s Dream, The Merchant of Venice and Henry V for Propeller; Antigone, Romeo and Juliet and This Child for Pilot; Doctor Faustus for West Yorkshire Playhouse; Blue/Orange on UK tour for ATG; Antony and Cleopatra for Nuffield; To Kill a Mockingbird for Theatr Clwyd on tour; Pigeon Lover at The Space; and Much Ado About Nothing for Derby Live. Oliver appeared in the films Wonder Woman 1984 and The Huntsman.
  • photo of suzann mclean Nurse – Suzann McLean Suzann has worked extensively in both theatre and television she is the winner of British Arrows Gold Award for her performance in the BUPA for living advert and won the African Film Best Actress Award in 2011. Other acting credits include Pennyworth, Good Omens, The Honourable Woman, Dr. Who, Little Miss Jocelyn, Measure For Measure (National Theatre) A Raisin in the Sun (Synergy Theatre). Suzann is artistic director of Theatre Peckham Directing credits include Offie Nominated Extremism (Theatre Peckham), Driving Miss Daisy (York Theatre Royal), Robin Hood (Theatre Peckham), Catcher (Pilot Theatre). 
    For ‘Provenance’ Suzann was also 1st Assistant Director. 

Creative Team

Written by Ayòbámi Adébáyò

Costume and Props: Alana Ashley

Make Up and Hair: Remi Oyenekan

Director of Photography: Andrew Delaney

Sound: Graham Tobias

Gaffer: Rich With

BSL Interpreter: Sumayya Si-Tayeb

1st Assistant Director: Suzann McLean

2nd Assistant Director: Evie Nuttgens

Music and Sound Design: Sandy Nuttgens

Illustration: Osaze Amadasun

Art Direction: Simon Poulter

Editor: Sophie Mellor

Director: Marcus Romer

For Future and Form and University of East Anglia (UEA): 

CHASE Researchers: Sasha Bergstrom-Katz and Wes Brown

Provenance UEA Project Lead: Professor Jean McNeil

Future and Form Project Lead: Professor Henry Sutton

Future and Form Executive Producer: Tim Wright

Filmed at Riverside Studios, London, 2021

Mutiny’s latest breakthrough project creating Digital Theatre / Gaming / Audience Engagement

24 Aug

With their Locus Solus project – Mutiny have created a real breakthrough in the development of interactive theatre, live performance with a specially designed and built environment in the Roblox game engine.

“Mutiny is a cross artform organisation that creates and develops new projects. Our work tells stories by combining performance, theatre and digital.”

Using live actors – Suzann McLean, Oliver Alvin Wilson and Simon Munnery the audience who were in the world as avatars were able to interact and move through this shifting landscapes and connect with the story as well as each other. 

Using the 1914 Raymond Roussel novel “Locus Solus’ (Solitary Place) as a guide new text and words were added including a new section by leading writer Roy Williams.

Check the video below that gives you a taster of what to expect in the new Locus Solus project.

You can see from the video – this gives an insight into the world and the interaction and engagement from the audience as players too.

For more information about this and our work with Mutiny  

Mutiny are Simon Poulter, Sophie Mellor and Marcus Romer

Breakthrough in new #DigitalTheatre immersive concept with online participation for audiences – developed by @Mutinyprojects

9 Jul

On June 19th there was a theatrical world premiere. It included a newly commissioned piece written by Roy Williams. It was performed live by three actors – Suzann McLean, Oliver Alvin Wilson and Simon Munnery. It had an original sound score specially composed by Sandy Nuttgens – and it was performed live in a brand new theatre space that we had built on the game platform called Roblox.

Screen Shot 2020-06-19 at 21.41.10Suzann McLean performing on the stage in Roblox

Mutiny is a new Arts organisation founded by Simon Poulter, Sophie Mellor and Marcus Romer. It was set up in November 2019 and received Arts Council Funding to develop our new project – Locus Solus – which means Solitary Space. Our work started in February at the Pervasive Media Studio in Bristol with their support. This was pre-lockdown and we were developing the project and building the world for the narrative in the software development side of Roblox.

Roblox is is an online game platform and game creation system that allows users to program games and play games created by other users. At present there are over 100 million active monthly users.

IMG_3278The audience setting off to the start the story and to be part of the project

On the platform we built the entire world – over several locations and areas, including, rivers, frozen lakes and one of the spaces with a bespoke theatre.

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The Theatre space can house many audience members – as of course to be part of the show you will need to have developed an avatar to enter the world. As part of the process as a director we ran a full rehearsal schedule, including a technical and dress rehearsal prior to the premiere.

Screen Shot 2020-07-09 at 12.51.58The Theatre space with room for several hundred seats

The key area of development was the integration of live HD sound for the actors and live mixed soundtrack.We achieved this by laying another program into the Roblox world – so we were able to live mix and integrate the sound and actors’ voices as they moved their avatars around the environment. The real breakthrough was the ability to have active participation and engagement from the audience as we all moved through this immersive environment together – and they too were able to use their voices and talk back at key times too.

Screen Shot 2020-06-19 at 21.43.31Suzann McLean and Oliver Alvin Wilson’s avatars performing the new text by Roy Williams for the audience.

There are several locations in the Locus Solus world and we performed new text across them all. The worlds all interconnect and can allow for multiple immersive experiences at the same time for audiences. This is a truly interactive space and experience for both audience and performers. It lends itself to bespoke design and development of new performance pieces

Screen Shot 2020-07-09 at 13.17.47The ice plateau area of Locus Solus

As Mutiny we are keen to develop this concept and build partners who would like to join us in this project as we move forward. We are looking to build the next iteration and series of commissions as we continue with this project and we will be looking to fund this.

If you are interested and want to get involved then – drop us a message marcus@artsbeacon.uk or info@mutinyprojects.org.uk

 

Pictures from the archive of shows I have directed or produced. #Antigone

8 Jun

This is part of a series of photographs from shows I have directed or produced over the years.

There is a really exciting update in that this version that I commissioned and directed is now a set text for GCSE for the Edexcel Exam Board. This striking image from the rehearsal room of the new adaptation by Roy Williams. This was a coproduction with Derby Theatre and Theatre Royal Stratford East with Pilot Theatre.

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It shows Sean Sagar, and Lloyd Thomas at the back as the soldiers with Oliver Alvin-Wilson and Savannah Gordon-Liburd at the front As the Lieutenant and Antigone as they confront her uncle Creo’ played by Mark Monero.

Later in the production shots you can see Creo’ and Antigone in an uncle and niece standoff.

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And later when Antigone is with Eamonn played by Gamba Cole before they make their final decision.

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This show toured the UK between September 2014 – March 2015.

Directed by Marcus Romer / Designed by Joanna Scotcher / Music by Sandy Nuttgens

Cast also include Doreen Blackstock, Freida Thiel, Luke James.

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Doreene Blackstock as Eunice and Savannah Gordon-Liburd as Antigone.

Photos by Robert Day

The trailer

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Marcus Romer is delivering one-to one online courses for Arts Practitioners, Actors, Directors and Arts Organisations

1 May

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Marcus Romer

Artistic Director / Theatre  / Film / Digital 

New one-to one courses for Arts Practitioners, Actors, Directors and Arts Organisations

I am an award winning director and theatre maker who has led Arts Council funded National organisations for over 25 years. I have a specialism in creating and directing new work in theatre and film, with additional skills in digital capture and live-streaming of productions. I am offering one to one sessions online for actors, directors and arts organisations across the UK. These include:-

Audition and Monologue preparation and rehearsal. These could be for drama school entry, self taping, showreels,  or ongoing acting training.

Presenting and acting for camera skills

Script reading and dramaturgical advice on pieces of new writing.

Application advice and one to one support for arts funding and job submissions 

Live to Digital practical skills and training – including live-streaming and online platform creative work delivery.

Digital strategy – planning and delivery

Business Plans and strategic planning for arts organisations.

Marcus was Artistic Director of Pilot Theatre,  Theatre Royal Bury St Edmunds and Associate Artist for Theatre Royal Stratford East and Harrogate Theatre and National Theatre, Wales. He wrote and co-directed The Knife That Killed Me for Universal Pictures. He has directed shows that have opened and played in more than 30 theatres across the UK. He has developed digital strategies for Manchester Royal Exchange, Chichester Festival Theatre, Theatre Royal Stratford East, Stephen Joseph Theatre, Kettle’s Yard, Home, Manchester. He has taught and directed at Bristol Old Vic Theatre School

All one to one courses are bespoke for each person or organisation. With concessionary rates for students and early career artists and a sliding scale for funded organisations.

Please drop me a line at marcusromeruk@gmail.com for an initial chat

Recent article for Arts Professional 

 

‘Reveal’ – the first ever active reality project #RevealKL

27 Jan

Here is the video of the Reveal project that I worked on last year as Director and Producer.

REVEAL was a Collusion project developed and devised in King’s Lynn, Norfolk, UK in 2018. Directed and Produced by Simon Poulter and Marcus Romer, this is the first ‘active reality’ project of its kind. It encompassed live performances, large scale projections, an interactive game engine, augmented reality and geo-located story elements, that occurred throughout November and December. With new ‘reveals’ every day it became a multi-episodic box set adventure for mobile that unfolded over a period of time, with video clips, augmented reality codes and clues, video projection, and live interventions that happened across the whole town and beyond.

The project was Executive Produced by Simon Poulter and Rachel Drury, with a team of 36 artists working across disciplines. The legacy site for the project can be found at revealkl.com – supported by Arts Council England, Borough of West Norfolk and King’s Lynn, Discover King’s Lynn, Norfolk County Council and the Combined Authority for Cambridgeshire and Peterborough.

Music was specially composed by Sandy Nuttgens, Matmos and Carter/Tutti. Game engine and coding by Richard Hall, Chris Tyler and Simon Poulter. Projections by Joe Magee, Karen Eng, Pete Cleary, Dominic Manning, Pete Cleary, Issam Kourbaj and Yael Biran. The story was devised and written by James McDermott and Marcus Romer, with a new Syrian poem written by Liwaa Yazji.

The Reveal project uses a Creative Commons license – Attribution-NonCommercial-ShareAlike – CC BY-NC-SA . This means that anyone can replicate and reuse the method and structure for the project, within the conditions of the license.

Full credit list:

Executive Producers: Simon Poulter, Rachel Drury
Artistic Producers: Marcus Romer, Simon Poulter
Story: James McDermott, Marcus Romer
Words: Liwaa Yazaji
Script Editor: Kathryn Castles
Social media elements: Maze Media
Actors: Oliver Westlake, Claire Lacey, Rebecca Banatvala, Tim Welton
Research and photography volunteer: Beatrice Bray
Film elements and trailer: Gavin Toomey
Logo and Design: Joe Magee
Costume Designer: Sunny Luckhoo
Artists: Issam Kourbaj, Karen Eng, Pete Cleary, Yael Biran, Joe Magee
Music: Carter-Tutti, Matmos, Sandy Nuttgens
Voice overs: Claire Lacey
Engagement Programme: Michelle Brace, Katy Marshall
Web Development: Chris Tyler
Creative Technologist/augments/back-end developer: Richard Hall
3D Artist: Dominic Manning
Projection Development: Pete Cleary
PR and comms: Becky Wieczorek, Stephanie Lewis
Ground and shop team: Luke Woodcroft, Fynn Pitkeathly, Beatrice Bray
Stage Manager: Lewis Anderson
Production Consultant: Ben Pugh
Production Coordinator: Nev Milsom
Project Assistant: Alex Byford
Lighting Assistant: Alexsandra Kruk
Borough Council of King’s Lynn and West Norfolk: Chris Bamfield, Mark Fuller, Martin Chisholm
AR.js software: Jerome Etienne
After Effects Artist: Sabrina Minter
Fundraising: Catherine Slack
LiDAR Survey: Mark McGarragh
Drone footage and photography: Matthew Usher

Lord of the Flies – it was 20 years ago today…

7 Sep

Hard to believe when some things pop up in your online feed, but I realised that it was 20 years ago today that I first made the theatre production of Lord of the Flies. It seems like another lifetime ago. But I just wanted to take the time out today to thank all of the actors, artists, designers and teams who helped to make this show happen over the following decade.

Library - 0680The show ran for 6 productions for the next 11 years. We gave over 960 performances in over 60 venues across the whole of the UK – and also as far afield as Bermuda, and Portugal. We were nominated for numerous awards and picked up a fair few along the way too. There were 6 casts and technical teams – but the original crashed plane design by Ali Allen and Marise Rose and the soundscape by Sandy Nuttgens were constant thoughout the whole series of productions.

It put my career on the map and certainly established Pilot Theatre as a leading touring theatre company across the UK.

Even back in 1998 – when the world was a different place, I placed innovation at the core of our work, online resources, free CD’s and DVD’s on the programmes – remember those?

It was great to make a show that made things happen. For me it enabled us to launch the careers for many emerging actors, lx designers, associate directors and stage managers.

Here is the clip for the trailer made by the video company who flew over from New York back in 1999 to make it for us. It was a video trailer for the show. This was years before YouTube was born, but we realised then the power that images, sound and vision could have that could help to develop a new era of audience and theatremakers.

Thanks to all who had a hand in helping to make this happen all those years ago

You’ve got to join the tribe…

Betty’s, Taylors and Harrogate Theatre

27 Jul

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Dawn Taylor from Bettys & Taylors, Manli Siu and Marcus Romer from Harrogate Theatre

26/07/2018

Livestream Harrogate’s Panto? Oh, yes we will!

Two of Harrogate’s historic institutions met today, with a generous donation from Bettys & Taylors to Harrogate Theatre.

They showed their support for a great cause – Associate Artist Marcus Romer’s ambitious plan to livestream this year’s pantomime into hospitals, hospices and adult social care homes across North Yorkshire.

Here at Harrogate Theatre, we’re really proud of our much-loved annual pantomime, which is written and directed in-house – and we don’t want anyone to miss out on the fun this Christmas.

So, we’ve planned a number of projections and screenings of this year’s production of Jack and the Beanstalk, which families can enjoy together in partnership with Harrogate and District NHS Foundation Trust, where will screen the production in children’s wards, waiting areas and even the lecture theatre of Harrogate Hospital and Ripon Hospital.

This project is ground-breaking for Harrogate and will potentially change the way we look at inclusivity in the arts, making a real difference to people over the festive break.

“I am delighted that we are able to work closely with Harrogate Theatre to turn this idea into a reality and make such a positive difference for patients, their relatives and our staff. We know how popular the pantomime is and it’s fantastic that community organisations can come together in this way”

Find out more or get involved with this exciting project here…

https://www.harrogatetheatre.co.uk/news/posts/2018/april/local-businesses-take-centre-stage/

 

 

Reasons to be Cheerful… @thespacearts @graeae @cinegiartsfilm @stratfordeast

8 Mar

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One of the last projects I worked on whilst at Theatre Royal Stratford East, was producing the live to digital version of ‘Reasons to be Cheerful’ the brilliant Ian Dury show by Graeae, directed by Jenny Sealey.

We captured this on the last day of their tour in the theatre back in November 2017. Since then we have been busy getting the right cuts, and several edits and sound mixes later, we have now fully captioned it and with help from The Space we were able to launch this as a cinema version distributed by Cinegi.

It is available for March and April and cinemas have started booking this through their networks. So if you want a chance to see this then get involved here

I completed the final work on the piece last week and am delighted to say that it was launched on March 1st, the day after I left Theatre Royal Stratford East on Feb 28th.

The capture in the theatre, has been cut to make you feel like you are in the pub with the rest of the cast and you have a front row view of them performing right in front of you. The cuts and camera moves are sharp and have a good punk feel to them, with some whip pans and jump cuts to really give it an edge, and for the capture to echo the show and the direction. One of the mantras we had was that this must look right for this show and must not have any over lingering long shots, smooth transitions or cross dissolves…

Thanks to all the team who have made this possible, the crew at Theatre Royal Stratford East, The whole of the Graeae team, the Space and their production team, the team at Cinegi, and above all to Ed Sunman for his editing and skills behind the camera and in the edit suite.

Watching this makes me smile, and gives me many reasons to be cheerful…

 

A new creative phase #shifthappens

17 Feb

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Shift Happens – funnily enough, I know all about that, and also I know that it is a good thing that it does. I have some exciting news, and I am really looking forward to the next creative phase of my work and life. I have just pressed ‘send’ on the final delivery of Graeae’s ‘Reasons to be Cheerful’ edit of the Live to Digital Capture that I produced for The Space whilst at Theatre Royal Stratford East. This will be going into cinemas  via the Cinegi distribution network later this year, and I am delighted to have been able to deliver this as part of my last project at Stratford East.

I am stepping down after nearly two years as Stratford East’s Digital Associate Artist to take up a new position as one of the directors of a new National Theatre Wales piece for their #NHS70 celebration project in July this year. I have already started on this and I am really looking forward to working with all the team in Cardiff and on the project in Newport. More info on this will follow in due course on the next stage of their launch for this project. As someone who used to work in the NHS many moons ago it seems like my creative paths have aligned for this project and I am really looking forward to it.

I will be sorry to leave TRSE, it has been an amazing family of creative practitioners over the time I was there, and the building and the people will always hold special memories for me as a director. The fact that I directed Antigone there as my last show before leaving Pilot as Artistic Director was a really great experience, and this led to the opportunities to develop my live to digital practice with the livestreams of shows into hospitals, hospices and Adult social care homes. Speaking about these initiatives across conferences in Europe led me to develop this work for Ramps on the Moon with their production of ‘Tommy’ and also for the more recent Graeae production of ‘Reasons to be Cheerful’

Since making  ‘The Knife That Killed Me’ – the feature film for Universal Pictures –  I have continued to develop this practice into working across the theatre, film and digital distribution space for audiences, and I know this is where my passion lies. So I am delighted to be able to be working on a new project, not only for National Theatre Wales, but also to be developing two new projects with Collusion, the Cambridge based company that works on the interface between Arts and Technology.

With Collusion I am working with new teams of artists across to develop two new public facing arts/tech engagement projects. These build on an R&D project that I was the lead artist on in King’s Lynn during last year. Again there will be more to let you know about these projects in the coming months. But in the meantime a lot of creative preparation is underway to deliver some new performance projects that will be totally brand new in every respect!

Also my work in Yorkshire was clearly not finished, as I will also be picking up on some work I did at the end of last year and as a result of this I will be returning to Harrogate Theatre as an Associate Artist, where we will be building some new large scale project ideas together, as well as developing some new live to digital opportunities for audiences across Yorkshire. I am looking forward to this too immensely. I have really enjoyed being back up North again, catching up with old mates and colleagues, and generally keeping in creative mischief.

So new doors and new opportunities are always exciting and positive, and I look forward  to being able to keep you posted about how the new creative projects are shaping up and developing.

The photo? I took it in Madrid this January when I was visiting my son who now lives there. It reminds me that wherever you are in the world – you have to keep moving the trash out of the way to make shift happen…