Tag Archives: Marcus Romer

Lord of the Flies – it was 20 years ago today…

7 Sep

Hard to believe when some things pop up in your online feed, but I realised that it was 20 years ago today that I first made the theatre production of Lord of the Flies. It seems like another lifetime ago. But I just wanted to take the time out today to thank all of the actors, artists, designers and teams who helped to make this show happen over the following decade.

Library - 0680The show ran for 6 productions for the next 11 years. We gave over 960 performances in over 60 venues across the whole of the UK – and also as far afield as Bermuda, and Portugal. We were nominated for numerous awards and picked up a fair few along the way too. There were 6 casts and technical teams – but the original crashed plane design by Ali Allen and Marise Rose and the soundscape by Sandy Nuttgens were constant thoughout the whole series of productions.

It put my career on the map and certainly established Pilot Theatre as a leading touring theatre company across the UK.

Even back in 1998 – when the world was a different place, I placed innovation at the core of our work, online resources, free CD’s and DVD’s on the programmes – remember those?

It was great to make a show that made things happen. For me it enabled us to launch the careers for many emerging actors, lx designers, associate directors and stage managers.

Here is the clip for the trailer made by the video company who flew over from New York back in 1999 to make it for us. It was a video trailer for the show. This was years before YouTube was born, but we realised then the power that images, sound and vision could have that could help to develop a new era of audience and theatremakers.

Thanks to all who had a hand in helping to make this happen all those years ago

You’ve got to join the tribe…

Hacking the system and taking the punk approach to live streaming shows

12 Nov

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On Saturday November the 4th at Theatre Royal Stratford East we captured the last two shows from the Graeae tour of  ‘Reasons to be Cheerful’

This has been part of the ‘live to digital’ work we have been doing at the Theatre, and something that I have been leading on over the last year. We have livestreamed work into hospitals, hospices and adult social care homes.

The show is fantastic, and the performers all belt out the songs of Ian Dury and the Blockheads with gusto, verve and infectious energy. It has a punk style and an urgent pace, and has been directed with flair by Jenny Sealey, the AD of Graeae.

We have been supported by The Space to deliver this – and we are aiming to get a release of this on the Cinegi platform in March next year.

It got me thinking, what would Ian Dury have done if he had the technology we have now to do this? I think he would say we need to take a more ‘punk’ approach to this kind of work, and just get on and do it.

We shot the matinee and evening show with 4 cameras on each show. HD cameras that also shoot 4k. They are BlackmagicDesign units and they are tiny. We can capture, cut and deliver work fast, live and in the moment now.

At the moment there are many obstacles in the way for arts organisations to get on board with this. Hurdles of rights, permissions, and legal stuff. All important stuff, but we surely need to find a way to streamline this and push the tech and opportunities forward. Otherwise the default position is always ‘It’s too much like hard work, and it is too difficult’

So if we are to adopt a punk approach, we need to get on with it. To help do this I have put together a ‘how to get started’ with all this, for UK Theatre. This was published on their site this year, and I am now attaching my redrafted version here, which hopefully might be useful.

Let me know if you have any thoughts or ideas about how we might take a more punk approach in the future…

Thanks – here is the guide for you

LivestreamingGuidebyMarcusRomer

marcus@artsbeacon.uk