Tag Archives: Theatre Royal Stratford East

Pictures from the archive of shows I have directed or produced. #Antigone

8 Jun

This is part of a series of photographs from shows I have directed or produced over the years.

This is a striking image from the rehearsal room where I was directing Antigone – a new adaptation by Roy Williams. This was a coproduction with Derby Theatre and Theatre Royal Stratford East with Pilot Theatre.

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It shows Sean Sagar, and Lloyd Thomas at the back as the soldiers with Oliver Alvin-Wilson and Savannah Gordon-Liburd at the front As the Lieutenant and Antigone as they confront her uncle Creo’ played by Mark Monero.

Later in the production shots you can see Creo’ and Antigone in an uncle and niece standoff.

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And later when Antigone is with Eamonn played by Gamba Cole before they make their final decision.

 

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This show toured the UK between September 2014 – March 2015.

Directed by Marcus Romer / Designed by Joanna Scotcher / Music by Sandy Nuttgens

Cast also include Doreen Blackstock, Freida Thiel, Luke James.

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Doreene Blackstock as Eunice and Savannah Gordon-Liburd as Antigone.

Photos by Robert Day

The trailer

 

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Hacking the system and taking the punk approach to live streaming shows

12 Nov

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On Saturday November the 4th at Theatre Royal Stratford East we captured the last two shows from the Graeae tour of  ‘Reasons to be Cheerful’

This has been part of the ‘live to digital’ work we have been doing at the Theatre, and something that I have been leading on over the last year. We have livestreamed work into hospitals, hospices and adult social care homes.

The show is fantastic, and the performers all belt out the songs of Ian Dury and the Blockheads with gusto, verve and infectious energy. It has a punk style and an urgent pace, and has been directed with flair by Jenny Sealey, the AD of Graeae.

We have been supported by The Space to deliver this – and we are aiming to get a release of this on the Cinegi platform in March next year.

It got me thinking, what would Ian Dury have done if he had the technology we have now to do this? I think he would say we need to take a more ‘punk’ approach to this kind of work, and just get on and do it.

We shot the matinee and evening show with 4 cameras on each show. HD cameras that also shoot 4k. They are BlackmagicDesign units and they are tiny. We can capture, cut and deliver work fast, live and in the moment now.

At the moment there are many obstacles in the way for arts organisations to get on board with this. Hurdles of rights, permissions, and legal stuff. All important stuff, but we surely need to find a way to streamline this and push the tech and opportunities forward. Otherwise the default position is always ‘It’s too much like hard work, and it is too difficult’

So if we are to adopt a punk approach, we need to get on with it. To help do this I have put together a ‘how to get started’ with all this, for UK Theatre. This was published on their site this year, and I am now attaching my redrafted version here, which hopefully might be useful.

Let me know if you have any thoughts or ideas about how we might take a more punk approach in the future…

Thanks – here is the guide for you

LivestreamingGuidebyMarcusRomer

marcus@artsbeacon.uk