Tag Archives: tktkm

The opening 4 minutes of The Knife That Killed Me movie #TKTKM

29 Sep

Here is the opening 4 minutes of our new movie – written and directed by Marcus Romer and Kit Monkman – for Greenscreen productions in association with Pilot Theatre and  Premiere – with UK distribution by Universal Pictures

The Knife That Killed Me – based on the novel by Anthony McGowan

Two separate projects both opened on the same night #PilotAntigone #TKTKM

27 Sep

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So, September 22nd 2014 turned out to be pretty important date for Pilot Theatre. We had press night for new co-production ‘Antigone’ at Derby Theatre – We are heading out on tour and will be bringing the show to Stratford East London for a month next February. Here is the trailer.

And our new feature film – ‘The Knife That Killed Me’ had a public screening in London in Soho at the Century Cinema. We also had a good review in Empire magazine, and we are going to be in competition as part of the Rome Film Festival Oct 16 -21st. The movie will launch at the end of October – with UK distribution by Universal Pictures. Here is the trailer.

Both of these projects have been over two years in the planning to get them to this point. We shot the movie back in April 2012, and we commissioned Antigone from Roy Williams back in 2012 too.

Needless to say we have more commissions in the pipeline for Pilot,  and I am working on a new screenplay. It is only once projects launch that you can refocus your mind onto future projects. Prior to that you time and energy is quite rightly spent on the delivery of the work in hand.

I am immensely proud of both of these pieces of work and the teams behind them. The whole Pilot team and the Greenscreen company have been very creative and supportive work partners. I would like to thank both Derby Theatre and Stratford East too, for enabling the Antigone project to take flight.

Here is the link to the Alice in the City programme in Rome for #TKTKM

And for the movie website with the artwork and quotes on is here TheKnifeThatKilledMeMovie.com

and the Huffington Post review is here

‘Reminiscent of The Curious Incident of the Dog in the Night Time, this tale of gang wars and one young protagonist’s love for his fellow student is mesmerising. Imagine a mix of Kes and Sin City and you get the idea behind this clever and inventive movie.Easily one of the best films of the year’

And for Antigone – A  5 ***** review here

‘The audience atmosphere in the theatre throughout is tangible. It seems at times that one hardly dare breathe as the story unfolds. It sucks you in…”

Here is the link to the tour schedule for #PilotAntigone

 

Thankyou

Marcus Romer – Artistic Director – Pilot Theatre – 27/9/2014

Looking back / Going forward 13/14 #blogpost

30 Dec

This year was full of stuff – some great things and some less so. I don’t want to dwell on the crap bits or over expound the positives. I want to rather put a list together, with some pictures of things that have been important to me over the year. I am looking forward to 2014 with a renewed vigour and I am looking forward to creating interesting work with interesting people, and to spending more time with my family and friends who are so important to me. At times it felt as if several things were pulling me in different directions – but not quite as hard as the dog walker I managed to get a picture of in Buenos Aires…

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So, in no particular order

1. Blood + Chocolate – was the most extraordinary project ever. It was the culmination of two years of planning and an intense nine months of preparation and pre-production, resulting in a truly great project – my thanks go to all the people of York who came on the journey with us and to the hard work of all the teams who made this possible – so a big up to Pilot and SlungLow for making it happen.

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The full webcast video of the whole production is available on demand here to watch again Blood + Chocolate webcast

2. The Knife That Killed Me – This year we finalised the edit and did the test screenings at Universal Pictures and I am very much looking forward to this being in cinemas in 2014 as we move towards the release date. This has been the culmination of 5 years work since I first pressed ‘send’ on the first draft of the screenplay to the producers. I am incredibly proud of the work that the whole team put into this, to make this completely new feature film happen

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The quality of each of the frames is amazing – considering that there are 137,000 of them – and each has been hand finished and has hand drawn artwork on each one…

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Great hand drawn artwork from Stu Ord on all these frames and screengrabs

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3. TED Conference 2013 – I had an amazing time in Los Angeles in February at the annual TED conference. Some standout talks and great moments and new friends made…Like here ‘California Dreaming’ in front of the Hollywood sign

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One of the talks by Spoken Word Poet Shane Kocyzan is well worth a moment of your time.

4. Our house – the sale fell through after 6 months of messing about. Shift Happens, I know… I have now moved back in. I love this house. We may sell it this year, we may not. Either way I am not going to stress about it as we realise how fortunate and lucky we are.

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5. Shift Happens V – again we ran this in York and a big thanks to the fantastic line up of speakers – a couple of stand out moments for me were the fabulous Jenny Sealey from Graeae…

and to Matt Mason VP of  BitTorrent who came over from San Francisco to join us in York

the brilliant Julia Unwin, CEO of the Joseph Rowntree Foundation

and of course Elliot Barnes-Worrell

6. Twitter stuff – now whilst this is not really a big deal it has been one of the stranger moments this year – I read a post by a facebook friend which I adapted, thanked and tweeted. Turns out someone had done this earlier in the year too and I hadn’t seen it or was even aware of it. By that time it was too late – it went viral. I thanked all parties and then sat back and tried to fend off the 30k email notifications of each RT or favourite. I now know how to turn of those notifications btw…

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7. A proud dad moment as our son Christy Romer graduated with a 2:1 from LSE.

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8. And a finger selfie from Porto in Portugal as we crossed over the bridge to the old town was part of a great summer break too

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9. Where both Christy and Mills agreed to pose for their one annual picture for us, which was offley good of them…

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10. As proud moments go – this one of Susie on the BBC news – which was the first of her many live TV interviews in the course of her high profile job made me a very proud husband indeed

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11. So as I head towards our next programme of work which includes the No Boundaries Conference in February and then Pilot’s co-production with the Theatre Royal Stratford East, Derby Theatre and York Theatre Royal of a new version of Antigone adapted by Roy Williams, I feel very excited and privileged to be making this work…so watch this space for more updates and…

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12. Onwards and Upwards my friends…

BBFC Certificate 15 for ‘The Knife That Killed Me’ #TKTKM (very strong language, strong sex references, strong violence, drug use)

30 Aug

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BBFC film description and certification here

BBFCINSIGHT very strong language, strong sex references, strong violence, drug use

GENRE(S) Drama

DIRECTOR(S) Marcus Romer,Kit Monkman

CAST INCLUDES Jack McMullen,  Reece Dinsdale,  Jamie Shelton,  Oliver Lee,  Haruka Abe

SUMMARY THE KNIFE THAT KILLED ME is a British drama about teenage gang conflict and the pressures faced by a young man starting at a new school.

CUT All known versions of this work passed uncut.

Here you go – all the strong words in the film in one clump – passed uncut

BLOODY, SH*T, F*CKED UP, CHRIST ALMIGHTY, CR*P, F*CKING, C*CK, W*NKER, SH*T, MEATHEAD GOBSH*TES, C*CK, P*SS, W*NKER, T*SSER, SL*G, W*NKER, LOSER, PAUL FARTERMAN, FILTHY DOG, SH*T, FILTHY DOG, YOU’RE DEAD, RED SCUM, MAKE IM SH*T IMSEN, RED SCUM, B*TTY BOY, MORON, MENTALIST, OLD B*TCH, *RSEWIPE, LITTLE P*FF, CRETIN, SH*T, WEASLY LITTLE TW*T, APE MAN, P*SSY, TW*T, F*CK, SH*T, WHAT THE HELL, B*TTY B*TTY BOY, BLOODY MORON, P*SSY, F*CK OFF, B*TCH, APESH*T, B*LL*CKS, GUT ROT, COKE HEAD, FOR GOD’S SAKE, SUCKS C*CK, SUCKS C*CK, W*NKER, SH*T, KICKED THE SH*T OUT OF ME, FINGER UP HIS *RSE, DOG SH*GGERS, T*SSER, I COULDN’T GIVE A SH*T, D*CK, D*CKHEADS, LOSER, LANKY TW*AT, CHIEF B*MMER, FEISTY B*TCH, B*TCH, CROGGY DOG, THICK TW*T, CHICKEN SH*T, DOG SN*GGER, DOG D*CK SUCKER, SH*T STICKS, WHINY LITTLE SH*T, HE SH*T HIMSELF, SH*T STAINED DAD, CHICKEN SH*T DAD, GUTS ROTTING, YOU LIKE SUCKING YOUR DAD’S C*CK, BAST*RDS, SH*TTING TW*TTING C*CKING AR*EHOLE BAST*RDS,, PSYCHO TW*T, F*CKING STICK IT, SH*T WORK, STINKING F*CKING HANDS, WA*KER, SH*T, SH*GGING, TW*T, SH*T SH*T SH*T, SH*T, P*SSING RAIN, F*CKING SH*T, SHUT THE F*CK UP, SH*T OFF, LOAD OF CR*P, WHAT SH*TTING DIFFERENCE DOES IT MAKE, F*CKING, I HEARD YOU SH*T YOURSELF, F*CKING, PATHETIC TW*T, BAS*TRD, F*CK, F*CKING C*NT, LITTLE SH*TE, F*CKING DEAD, P*SSIES, SH*T EMSELVES, PR*CK, BLEEDING CHRISTMAS, CHICKEN SH*TS, P**FS, SL*T, DIRTY WH*RE, B*TCH, SPINELESS W*NKER, SL*G, SH*T, B*LLOCKS, TAKING THE P*SS, YOU’RE TOO FAT TO BE A FREAK, P*SS OFF, SH*T, P*SS OFF, TRACK RATS, APE MAN, C*CK LOVER, YOU DON’T F*CKING GET IT, PATHETIC W*NKER, LOAD OF SH*T, PATHETIC *RSEHOLE BULLY, W*NKER, B*STARDS, SH*T, TOO F*CKING LATE, F*CKING ANIMAL, CHRIST.

TKTKM – google number 1 hit

11 Aug

So here is the number one Google hit for The Knife That Killed Me….

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This much I know…about making new stuff happen

25 Jul

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1 Sometimes it feels like there is going to be a fight

2 Sometimes there is a fight

3 Sometimes there isn’t

4 Sometimes it relates to my thoughts from a previous blogpost

5 Sometimes it doesn’t

6 I often think of Channel 4’s tagline ‘Be First, Make Trouble, Inspire Change’

7 I love this. It is what we like to do too. What I aim to do all the time

8 Being first is making new stuff happen

9 This invariably makes trouble

10 It sometimes inspires change

11 This is good

12 But sometimes it makes numbers 1 and 2 happen

13 But mostly number 3 is the outcome

14 In doing so people on the sidelines like to shout and make a fuss

15 They like to tell you what you are doing, have done and will continue to do, wrong

16 They like to be vocal about these things

17 They like to make themselves feel better, because pointing out the things they think are wrong means that they feel right

18 Sitting on the sidelines is easy

19 Shouting and pointing out where you went wrong is the easiest job in the world

20 This is why they do it

21 It makes them feel important

22 It makes them feel like they imagine what it feels like to make new stuff

23 They are wrong. It doesn’t

24 They are often the ones who don’t make new stuff happen.

25 They are the ones who don’t put their heads over the parapet

26 The view is better from over the parapet

27 The air is clearer and fresher, and you get the full force of life in your face

28 It can be a lonely space to inhabit sometimes

29 You need to be up there with the people who are on your side – looking forwards

30 The view is way better and more exhilarating

31 From here you can’t really hear those on the sidelines , their voices become distant

32 From here you can see the next step and the route forward.

33 That’s what keeps you going

34 Make new stuff happen

35 You have nothing to lose. At all…

The image is taken from the opening of the feature film ‘The Knife That Killed Me’ a new movie for Universal Pictures by Marcus Romer, Kit Monkman and Thomas Mattinson

So what does a multi-platform theatre company actually do?

20 Jun

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As Artistic Director of Pilot Theatre, I can really see the evolution of the company and track its DNA right back its early roots and incarnation. Whilst, not being an original founder member I did work with Pilot as an actor back in the mid 80’s and it is where I got my Equity card, and where my career was started.

This has always been the ethos of the company, providing the opportunities for emerging artists and practice – where projects can be ‘piloted’ and tried out. So, contrary to some of our recent airplane-spotter followers on twitter, we are actually nothing to do with air travel at all…Rather the organisation that creates the ‘pilot episode’ or ‘pilot project’ where something is made or developed for the first time.

So what’s new? well that’s the question the team asks itself all the time. Not that we endlessly pursue the new and shiny stuff just because it is new and shiny, but with a real creative and artistic approach to innovation we are constantly asking ‘what is out there that we can work with to help us tell our stories more effectively’

So, in the next few weeks the range and diversity of our multi-platform work will become more apparent than ever before…

We open a new piece of theatre at York Cocoa House, called ‘Clocking In’ – this is a site specific and verbatim piece that tells the stories of the workers in the chocolate factories of York. It opens on June 24th and we perform it twice each evening, where you will also get a cup of hot chocolate…

This is part of our Blood + Chocolate project which we are working alongside SlungLow and York Theatre Royal. This is now in rehearsal and will be a citywide headphone adventure piece – utilising the skills of SlungLow and their technology. In October 2013 an audience of 300 each evening will move through the City of York whilst the community cast of 200 will uncover the stories of life, love and death in York at the start of the first World War…So our theatre storytelling across the city, working with a voluntary team of over 500 people who are working already on this amazing project – here is the Flickr group from the team of 31 photographers and their 600 photos of the project thus far.

The following week on July 3rd we screen The Knife That Killed Me for the cast and crew. This is the film that was made by Green Screen Pictures in association with Pilot Theatre and Premiere Pictures, Matador and with support from Universal Pictures. It was adapted and written and directed by Marcus Romer and Kit Monkman – with Producer Thomas Mattinson. We shot this on a greenscreen studio set in East Yorkshire in April / May 2012 and the post production and compositing has taken another 12 months to complete. We deliver the film at the end of June, and this is the first time that any of the cast, crew and Pilot Team will have seen the movie in a cinema. This is exciting stuff indeed.

The week after that on July 8th we launch or 5th Shift Happens conference – which is our version of TED for the Creative and Cultural sector – where International Speakers share their inspiring visions and thoughts for the audience – alongside great food and the best coffee in York. The speaker list and schedule is here – there are a couple of tickets left and you can book online on the links on here

So innovation and making shift happen has been at the core of our work here at Pilot – we are currently also working with the City of York Council – delivering the livestreams of their council meetings as part of their open democracy initiative. This is a key element for us. Where we recognise our civic role within the community in which we are based. We want to increase the engagement of all our audiences and create the opportunities to ‘pilot’ new ideas and projects. So, all our work from our theatre and performance, through to the innovation of the new movie and online projects, sit hand in hand with our ability to share thinking and ideas across the whole sector with our conferences and training.

You can also catch up every week with our #PilotLive livestream broadcasts via our Pilot-Theatre.TV channel on this and all our work.

So we look forward to working with you too very soon…